8 Comments
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Black's avatar

The last 10% of a project is always the hardest. Not because it's difficult but because it's tedious and I'm burned out on it by then.

Sam Oldman's avatar

I totally know what you mean. All the novelty has worn off. 😇

This is the part where I absolutely cannot put the project down “for a while,” because deep down I know I’d never return to it.

James (HVR)'s avatar

I deal with the same and hoped you had an easy fix!

Sam Oldman's avatar

I wish I had, sorry…

But hey, look, a squirrel 🐿️

James (HVR)'s avatar

You mean the bird?

Sam Oldman's avatar

That too... And while I’m at it, I should probably start yet another journal or art project.

Sam Oldman's avatar

An expensive one, preferably. 😆

Dr.Morton's avatar

In sure it's no surprise, as an artist I’ve dealt with this as well. I’ve been trying to integrate my beliefs in a way that reduces this friction.

What has helped me is that when I have an idea I’m curious and excited about, I try to work it into a rough draft the same day. If it’s a good idea, it survives that process. If it wasn’t as strong as I first thought, that usually reveals itself because I can’t finish the rough draft in one sitting.

In those cases, sometimes the idea becomes smaller content, like a note. Other times, I save it, and it might make a cameo in a later piece.

This is basically my vetting process for ideas. If I can write a rough draft of an essay in one sitting, I know the idea has merit, and that it’s coming from a place of knowledge. If I can’t, the idea usually needs more time to mature.